Also have Eventide Black Hole, but that one seems to be for pretty specific instances outside of this. I do have Polyverse Comet reverb in addition to Valhalla VV and Shimmer. However, based on tutorials, it looks like I'd really want the full version, which is unfortunately out of my price range. I could maybe afford to get the stripped down version of Seventh Heaven, which seems to replicate Briscati. Producing Basics (Compression, EQ, Staying Motivated included here!) These rules, are in place to keep content fresh, current, and moving forward, not to denounce your post as Incorrect or stupid. Remember, everything is subjective, and there are no rules when it comes to making music. No repetitive Links, articles, videos or Questions.It is, however, now a fundamental part of my workflow on drums and close-miced guitars.This subreddit is for producers who have progressed past an introductory level of production and wish to engage in discussion about more advanced techniques and questions.įor beginners, head over to /r/edmproduction. That's why I would never recommend it in a "if I could only choose one reverb" scenario.
I know that may make a few people scratch their heads but it makes total sense if you really think about it. Besides, when you get them on sale combined with a coupon or two, the UAD equivalents are really not that much more money.įor my uses, Ocean Way is a "make it sound like it was recorded in a real studio" plugin with reverb added after that and never used as you would think of using a "reverb" plugin. to me it is not SOOO good that I would forsake all others. I think it sounds nice, but I honestly think people get blinded by the price.
Both are pretty much "the standard" and you have heard them both a million times and probably didn't even know it (including both the real deal and the plugins.) If you plan on monitoring while recording with them, forget about the Valhalla. If I could only have one I would probably go with either the 480L or the EMT140.
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